Skip to main content

Opera-Online! Week 7

Click here to download study guideWelcome to Opera-Online!

Welcome students and teachers for this edition of Opera Online! This week we start looking at our next production, the comedic double bill of Ravel's L'enfant et les sortilèges and Puccini's Gianni Schicchi.

The first thing I want to talk about this week is the pronunciation of both of these visually intimidating titles.

Both the vowels in "L'en" and "fant" of L'enfant sounds a bit like the "aw" sound in the English word lawn, but without the "n" at the end, like "lawfaw". "Et" sounds like ay, "les" sounds like "lay". The last syllable of sortilèges sounds sort of like the English word ledge, but replace the "d" with a soft g sound like in the word mirage: sore-tee-LEHZH.
The title is pronounced: law-FAW ay lay sore-tee-LEHZH.

Gianni Schicchi is much easier. Gianni sounds just like the name Johnny and Schicchi is just like combining the words ski and key. So, Gianni Schicchi sounds just like Johnny Ski-key.


Youtube Clip of the Week

Our Youtube clip of the week shows the opening scene of Ravel's masterpiece L'enfant et les sortilèges. It's a radically different kind of production than the Opera Company will produce, but it's a great introduction to the opera. This clip us unique in that it's from a ballet company. Their production is very over sized and fanciful, while the Opera Company's production is not realized in the same way. Next week, we'll look at a production that a little bit more similar to what OCP will produce.

Unfortunately, the subtitles in this clip are not in English, but the choreography is so clear you won't have any doubt as to what is going on.



Web Site of the Week

Over the next few weeks we'll guide you to websites pertaining to the upcoming production: opera singer websites, sites devoted to the composers, sites devoted to relevant topics, like Dante's Divine Comedy. This week we'll visit baritone Mark Stone's website. Mark stars in the title role of Puccini's Gianni Schicchi. Mark sang with us a few years ago in the role of Ford in Verdi's Falstaff. Mark's got great pictures on his site and some examples of his wonderful singing and beautiful voice, too.

Don't forget to invite your friends to sign up to receive these alerts by emailing their name, school, and age to us at outreach@operaphila.org.

Until next week...

Comments

Anonymous said…
Thanks for a completely different and illuminating perspective on this opera!

Popular posts from this blog

Carmen Blog

WRITE A REVIEW:   Having had the opportunity to see  Carmen  at Opera Philadelphia, tell us what you thought. Be as detailed in your response as possible. Consider using "Wring a Review of the Opera" found of p.51 of your student guide to help organize your thoughts. We will accept all reviews, positive or negative! We simply ask that you thoroughly defend your opinion. In your response consider commenting on the story, the sets, the characters, the music, and more.  With  both options  we ask that you include your:               FIRST NAME:              SCHOOL:              GRADE: You never know, if your blog entry is well written, we may just have to put it on Opera Philadelphia's official blog page. We look forward reading your entry! Happy writing.  ...

Tosca Student Reviews

Students in the Opera Company of Philadelphia's Sounds of Learning program saw the final dress rehearsal of Puccini's Tosca on Wednesday, April 27, 2011 at the Academy of Music. Now that you've studied the opera and seen it, what were your impressions? Tell us what you think and post your reviews here! Did you like the opera? Why or why not? Which was your favorite character and why? Did you like the costumes and sets? Who was your favorite singer? Which singer had the best and most im pressive singing voice? Your review should be at least 50 words or more. Please include your first name, school and grade in your post. Don't forget to support your opinion! Click here if you want to learn more about these operas, the singers in the production, and more! Messag e from the Production Staff: We want to thank all participating schools for their wonderful behavior during the dress rehearsal! You were the best Co-Producers the Opera Company of Philadelphia has ever seen! A...

Otello Student Reviews

Students in the Opera Company of Philadelphia's Sounds of Learning program saw the final dress rehearsal of Verdi's Otello on Wednesday, May 5, 2010 at the Academy of Music. Inspired by Shakespeare, Otello tells the story of a slave who overcomes great obstacles to become a noble general, but is then driven to unspeakable jealousy by a scheming, envious officer in his army. Passion, political intrigue and a fatal flaw are at the center of this intense musical drama that stands at the pinnacle of grand opera experiences. Now that you've studied the opera and seen it, what were your impressions? Tell us what you think and post your reviews here! Did you like the opera and why? Which was your favorite character and why? Did you like the costumes and sets? What did you think of Mark Delavan, who sang Iago from a wheelchair? Who had the best and most impressive singing voice? Your review should be at least 50 words or more. Please include your first name, school and ...